1997
DOI: 10.1068/a291953
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The Cultural Industries Production System: A Case Study of Employment Change in Britain, 1984–91

Abstract: The cultural industries sector employed 4.5% of all employees in Britain in 1991: equal in size to the construction industry, or to the combined employment in the Agricultural, and the Extractive Industries. However, this sector has remained relatively under analyzed in both the geographical and planning literature. The paper begins by defining the Cultural Industries Production System (CIPS). The second part operationalizes this definition with respect to secondary sources on employment in the CIPS in Britain… Show more

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Cited by 325 publications
(179 citation statements)
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References 32 publications
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“…divide between the`cultural' and the`economic' (see Jackson, 2002;Pratt, 1997). The two spheres are increasingly viewed as mutually constitutive, as industries are subject both to commercial and aesthetic imperatives and to modes of valuation.…”
mentioning
confidence: 99%
“…divide between the`cultural' and the`economic' (see Jackson, 2002;Pratt, 1997). The two spheres are increasingly viewed as mutually constitutive, as industries are subject both to commercial and aesthetic imperatives and to modes of valuation.…”
mentioning
confidence: 99%
“…While conglomerates dominate some areas of the creative-economic landscape, creative industries are generally made up of small, agile firms that operate within a networked chain of interrelated activities. Along with creation and production, marketing and distribution are key links of this chain, critical to commodities that rely on capturing (and manipulating) consumer sensibilities (Hirsch, 1972;Pratt, 1997). Along with these contributions, Florida (2002) and Howkins (2001) also put the spotlight on the increasing relevance of the creative economy in terms of employment as well as sheer monetary value.…”
Section: Resultsmentioning
confidence: 99%
“…It is interesting to compare this method with other conceptual and impressionistic definitions (Hesmondhalgh, 2002;Power, 2002;Pratt, 1997;Pratt, 2004 and Wassall, 2008;Beyers et al, 2004). Elsewhere, we debate the theoretical rationales and empirical problems posed by sectors such as religion, fashion, education, sports and even auto manufacture in defining cultural industries (Markusen, Wassall et al, 2008).…”
Section: B Defining Cultural Industriesmentioning
confidence: 99%