A Companion to Greek Art 2013
DOI: 10.1002/9781118273289.ch36
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The Cultural Property Debate

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Cited by 4 publications
(4 citation statements)
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“…This could be considered a result of several processes ongoing, for example political decolonisation, economic refocusing of development, and reflexive, post-modern criticism in social science research. Respective criticism on Europe-centred cultural concepts (for example, the 'humanity' ownership) formed cracks in the national appropriation of monuments and raised the 1980s question of 'who owns heritage' (Lekakis 2012). Despite the abundant bibliography, the enquiry led to a dead-end.…”
Section: Following the 'Social Turn'mentioning
confidence: 99%
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“…This could be considered a result of several processes ongoing, for example political decolonisation, economic refocusing of development, and reflexive, post-modern criticism in social science research. Respective criticism on Europe-centred cultural concepts (for example, the 'humanity' ownership) formed cracks in the national appropriation of monuments and raised the 1980s question of 'who owns heritage' (Lekakis 2012). Despite the abundant bibliography, the enquiry led to a dead-end.…”
Section: Following the 'Social Turn'mentioning
confidence: 99%
“…Greece has been at the forefront of 'cultural property' concept development, focusing on the nationalisation of cultural heritage along with other open-access resources (e.g. mines, forestries) by the nascent nation-state, pioneering what later became a mainstream activity for antiquities' source-countries (Lekakis 2012;Carman 2018: 167).…”
Section: The Case Of Greecementioning
confidence: 99%
“…This cultural heritage mechanism was built on a pattern introduced in the Renaissance and the Enlightenment; that of distancing the past from the present day in an observable place that could be studied to reveal itself. The official narratives that would bridge the distance with the reclaimed present constituted national histories; the overarching truth for the birth and the survival of the nation-state's soul and values through the centuries [25,26]. These narratives were anchored on and illustrated by the tangible remains of the past, monuments that were recast as national treasures.…”
Section: The Concept Of Heritage and Its Management: A Western Perspementioning
confidence: 99%
“…However, the quest of continuity assembles a precarious environment, already known in the critique of the national appropriation of 'cultural property' (Lekakis 2012), where the nation-states call upon a glorious, uncontaminated and clearly imagined past. In this mode, modernisation could be bluntly mourned as a disruption in continuity (25-26), evoking a deadend nostalgia for the lost or even problematic interpretation of that uncontaminated past (see for example the concept of 'indigeneity' used for the pre-modern past of rural Greece, Hamilakis 2008).…”
Section: Towards a 'Living' Or A 'Zombie' Heritage Approach?mentioning
confidence: 99%