The development of artists' novel colour palettes for inkjet printing

Parraman, Carinna

doi:10.1117/12.838831

Cited by 3 publications

(4 citation statements)

References 10 publications

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“…The experiments sought to produce light and dark colour combinations of each new hue colour (figure 2), ideally resulting in a smooth tonal transition from light to dark, with visible printed colour information in the light areas. Furthermore, by creating ICC profiles from the printed colour charts and viewing the measured colour in a three-dimensional space, it was possible to gain an overview of the relationship between a generic CMYK gamut and the newly mixed colours, for example, where these mixed colours might extend the limits of the existing CMYK colour gamut (further details on the mixing, filling and methods for visualising the colour gamut is explained by the author [2] ).…”

Section: Creation Of Custom Colour Palettesmentioning

confidence: 99%

Experiments in inkjet colour tests for printmaking

Parraman¹

2010

cgiv

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The motivation for this research is based on how artists mix and print colour by traditional means (painting and printmaking) and how these differ from colour picker tools, slider bars and methods developed for digital printing, and whether it is possible to incorporate both? Artists have been expert at mixing colour for centuries, yet although the artist and designer has access to a wide range of digital imaging tools and technologies, that on first glance, are dedicated to the creation of colour mixtures, the resulting colours are often disappointing. It appears that hardware, software tools and methods for digital printing are not necessarily suited to the specific requirements of the artist. In fact, they are too generalised to obtain a high degree of quality and too inflexible to allow artists to obtain precision and predictability. Based on existing hardware and software, the paper suggests alternative approaches to custom colour ink mixing and printing. Through the development of alternative ink colours specifically mixed for inkjet printing the paper demonstrates specially designed charts for printing and double printing of custom mixed inks.

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Section: Creation Of Custom Colour Palettesmentioning

confidence: 99%

Experiments in inkjet colour tests for printmaking

Parraman¹

2010

cgiv

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“…Therefore, when evaluating print quality, it is necessary to analyze these elements [7,8]. In particular, the research of the authors [9,11] is aimed at the development by artists of new color palettes for inkjet printing and the study of the appearance of a color image from the point of view of the psychophysical perception of images. The psychophysical relationship between image quality and its component attributes was investigated.…”

Section: Introductionmentioning

confidence: 99%

“…In studies [11,12], the methodology of color printing in digital inkjet textile printing was developed, and an algorithm for the application of knowledge about color in the methods of creating a project and new color palettes for inkjet printing was proposed. The analysis of literary sources [13][14][15] made it possible to establish that the main studied characteristic affecting the quality parameters of tscreen printing is the structure of the fabric and the type of printing ink.…”

Section: Introductionmentioning

confidence: 99%

Investigation of the Resistance of Different Textile Prints to Washing and Abrasion

Prybeha,

Koshevko,

Skyba

et al. 2023

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The article presents the next stage of experimental studies applying images to textile materials. The method of calculating the cost of manufacturing thermal transfer according to the proposed technologies, which were obtained as a result of the practical activity of the authors of the article in production conditions, was tested. The operational, and functional properties of thermal transfers have been studied. Durability of printed fabrics to rubbing and washing has been established. The images were applied to synthetic and natural fabrics. The methods of printing were as follows: DTF printing, offset and screen printing. The application of the results of this study will allow to carry out a qualitative and effective assessment of methods of printing images on textile materials depending on the production conditions for each type of product. A practical test of the proposed method of printing images on the products of the author's collection of women's clothing was carried out.

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“…Coloured, three-dimensional sculptural objects printed using a Z Corp 3D printing system, by Peter Walters (CFPR).Developing novel materials and applying them to every day items is evolving quickly. Yet these revolutions are not new: as new ideas are inspired by new technologies and manufacturing there evolves a symbiotic relationship between materials and technology, and a process of refining, comparison and redefining takes place, resulting in new benchmarks for quality [9]. Furthermore, the origins of Modernist movement of the 20 th century and how we understand technologies today are rooted in the Industrial Revolution, which according to Gilbert Herbert in The Synthetics of Vision by Walter Gropius[10] 'wrought havoc with established standards of design.'…”

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confidence: 99%

Traditional approaches using new technologies

Parraman

Adams-Foster

2011

Procedings of the Second Conference on Creativity and Innovation in Design

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The objective of the Wallpaper Project, in collaboration with Roland DG (UK) Ltd and with support from European Research Development Funding (ERDF), was to develop a range of printed materials and surfaces that could be developed as print on paper, textiles and applied to walls, which could be interactive with the user with a long term objective to adapt to changes in the environment. The paper explores contemporary approaches to wallpaper design that combines craft, design, cutting-edge fabrication and novel printing technologies. New printing technologies are now being used to print onto a range of materials (plastics, metal, wood, uncoated papers) and can be used to trial new inks and methods of printing (UV hardening, metallic colours, ceramic, three-dimensional, non standard colour).Using the wallpapers created by MA Multi-disciplinary Printmaking students and research staff at Centre for Fine Print Research, University of the West of England, Bristol, this paper describes a series of case studies, and highlights a range of interesting opportunities and decision processes creative practitioners encountered when using new technologies.The wallpaper project is part of a larger enquiry into 2D and 3D printing. The paper discusses the wider implications of a novel process and materials-led exploration that explores new UV printing, additive layer manufacturing and rapid prototyping.

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The development of artists' novel colour palettes for inkjet printing

Cited by 3 publications

References 10 publications

Experiments in inkjet colour tests for printmaking

Experiments in inkjet colour tests for printmaking

Investigation of the Resistance of Different Textile Prints to Washing and Abrasion

Traditional approaches using new technologies

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