2010
DOI: 10.1007/s12304-010-9075-z
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The Discourse of the Birds

Abstract: Modern humans spend much of their time deploying a very rarefied form of intelligence, manipulating abstract symbols while their muscled body is mostly inert. Other animals, in a constant and largely unmediated relation with their earthly surroundings, think with the whole of their bodies. This kind of distributed sentience, this intelligence in the limbs, is especially keen in the case of birds of flight. Unlike most creatures of the ground, who must traverse an opaque surface of only two-plus dimensions as w… Show more

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Cited by 4 publications
(3 citation statements)
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“…I pose the following question: how may avian-human performance practice materialise and distribute agency? Arlander (2018a) proposes that "the task for an artist-researcher is, then, not only to acknowledge her subjectivity and entanglement with the object of research but also account for the agential cuts within the phenomena at hand -that is, what is included and what is excluded from mattering". By means of describing agentic forces in, and analysing agential cuts in, some central exercises from a drama workshop, and with some snapshots from the performance, I discuss how this case and similar performance practice relate to performative politics of equality.…”
Section: Introductionmentioning
confidence: 99%
“…I pose the following question: how may avian-human performance practice materialise and distribute agency? Arlander (2018a) proposes that "the task for an artist-researcher is, then, not only to acknowledge her subjectivity and entanglement with the object of research but also account for the agential cuts within the phenomena at hand -that is, what is included and what is excluded from mattering". By means of describing agentic forces in, and analysing agential cuts in, some central exercises from a drama workshop, and with some snapshots from the performance, I discuss how this case and similar performance practice relate to performative politics of equality.…”
Section: Introductionmentioning
confidence: 99%
“…I pose the following question: how may avian-human performance practice materialise and distribute agency? Arlander (2018a) proposes that "the task for an artist-researcher is, then, not only to acknowledge her subjectivity and entanglement with the object of research but also account for the agential cuts within the phenomena at hand -that is, what is included and what is excluded from mattering". By means of describing agentic forces in, and analysing agential cuts in, some central exercises from a drama workshop, and with some snapshots from the performance, I discuss how this case and similar performance practice relate to performative politics of equality.…”
Section: Introductionmentioning
confidence: 99%
“…I pose the following question: how may avian-human performance practice materialise and distribute agency? Arlander (2018a) proposes that "the task for an artist-researcher is, then, not only to acknowledge her subjectivity and entanglement with the object of research but also account for the agential cuts within the phenomena at hand -that is, what is included and what is excluded from mattering". By means of describing agentic forces in, and analysing agential cuts in, some central exercises from a drama workshop, and with some snapshots from the performance, I discuss how this case and similar performance practice relate to performative politics of equality.…”
Section: Introductionmentioning
confidence: 99%