2022
DOI: 10.1080/10447318.2022.2144864
|View full text |Cite
|
Sign up to set email alerts
|

The Doctrine of the Mean: Chinese Calligraphy with Moderate Visual Complexity Elicits High Aesthetic Preference

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
2
1

Citation Types

1
2
0

Year Published

2024
2024
2024
2024

Publication Types

Select...
3
1

Relationship

0
4

Authors

Journals

citations
Cited by 4 publications
(3 citation statements)
references
References 96 publications
1
2
0
Order By: Relevance
“…Bauerly and Liu (2008) discovered that customers prefer a moderate level of visual complexity, implying that excessive complexity can result in lower stimulation levels. This viewpoint is corroborated by a recent study by Han et al . (2022), which indicates an inverted U-shaped relationship between visual complexity and aesthetic preference.…”
Section: Hypotheses Developmentsupporting
confidence: 89%
“…Bauerly and Liu (2008) discovered that customers prefer a moderate level of visual complexity, implying that excessive complexity can result in lower stimulation levels. This viewpoint is corroborated by a recent study by Han et al . (2022), which indicates an inverted U-shaped relationship between visual complexity and aesthetic preference.…”
Section: Hypotheses Developmentsupporting
confidence: 89%
“…Rongju Sun et al [13] proposed certain aesthetic features based on classical calligraphy rules, unveiling the relationship between these aesthetic features and human aesthetic preferences. Kaixin Han et al [14] proposed some computational features related to the visual complexity of calligraphy and discusses the connection between visual complexity in calligraphy and subjective human aesthetic perceptions. However, these studies did not delve into specific stylistic impressions within calligraphy.…”
Section: Introductionmentioning
confidence: 99%
“…However, these studies did not delve into specific stylistic impressions within calligraphy. Kaixin Han et al [15] introduced the stylistic impressions of squares and circles in calligraphy, explaining how the objective features of calligraphy fonts impact human perceptions of squares and circles' aesthetic appreciation. Based on the above-mentioned research, it is evident that establishing a relationship between interpretable features and calligraphy styles is feasible, though relevant research remains scarce.…”
Section: Introductionmentioning
confidence: 99%