“…Although there are numerous studies of eye movements and various musical activities in the field of sight-reading research (e.g., Drai-Zerbib, Baccino, & Bigand, 2012;Goolsby, 1994;Madell & Héébert, 2008;Wurtz, Mueri, & Wiesendanger, 2009), analysis of eye movements in the perception of outdoor scenes while listening to music has started to be investigated only recently. To date, there have been only two relevant eye-tracking studies (Maróti, Knakker, Vidnyánszky, & Weiss, 2017;Schäfer & Fachner, 2015); however, they investigated different facets of this problem. Schäfer and Fachner (2015) were interested in the attentional shift from visual perception of outdoor scenes to absorption in music, while Maróti and her colleagues (2017) investigated changes in eye movement parameters (such as fixation duration, saccade duration, saccade amplitude, and saccade number) in relation to musical tempo.…”