“…Cited sources of information on the Gate Control Theory of Pain included: Livingston, 1943Livingston, , 1953Melzack 1961Melzack , 1973Melzack and Wall, 1965;and Sarafino, 1997. Interestingly, the Gate Control Theory of Pain was referenced by authors who adopted differing approaches to music therapy as procedural support including musical alternate engagement (Noguchi, 2006;Whitehead-Pleaux, Baryza, & Sheridan, 2006;Whitehead-Pleaux, Zebrowski, Baryza, & Sheridan, 2007;Wolfe & Waldon, 2009), integration (Loewy et al, 1997), and various forms of music-assisted relaxation . Authors in the reviewed publications cited additional theories related to pain perception, including multidimensional models of pain perception, wherein sensory-discriminative, cognitive-evaluative, and motivationalaffective dimensions of pain perception may be altered to therapeutic benefit (Melzack, Weisz, & Sprague, 1963;Weisenberg, 1994).…”