The extensive repertory of English anthems composed between the passing of the Act of Uniformity (1549) and the cessation of church services precipitated by the Civil War during the 1640s has been the focus of such concentrated attention in recent years that, on first sight at least, few important facets appear to have languished in neglect. Amongst those aspects of the anthem which have been subjected to detailed scrutiny are the genre itself,' the associated printed and manuscript music sources, the many vexing problems of performance practice, and the anthem settings of most of the principal composers. One conspicuous omission from this research profile, however, is any survey of anthem texts, a subject of such fundamental importance as to refute any suggestion that the present understanding of the anthem genre is complete.