The story of entertainment-education's effects on social behaviors is itself a literary genre of sorts, with memorable legends and alluring theoretical formulations about why dramatized messages work. One of my first encounters with this genre was in 2006, when reading a New Yorker magazine article that retold some of the most famous instances of entertainmenteducation's enormous reach and influence. For example, on the subject of adult literacy: For this telenovela, called "Ven Conmigo" ("Come with Me"), instead of the usual blond, blue-eyed leading ladies, Sabido chose actresses who were dark-haired and spoke with working-class accents. Its main plot centers on Barbara, a teacher from a working-class family, and Jorge, the wealthy man who loves her. Sabido's subplot involved some of Barbara's adult students, including a carpenter, a maid, a single mother who works on a farm, and an ex-con. Posters from the Ministry of Public Education's actual literacy campaign hung in the classroom. In the first episode, an older man sits outside Barbara's classroom without introducing himself. When she finally notices