In criticism to date, the intertextual link between Esther Summerson and the biblical Queen Esther has been explained as one that invokes "womanly virtue". By drawing on the meanings that had accumulated around the name "Esther" in the Victorian period, this article argues instead for Queen Esther's significance as a sexual transgressor. Manifested in the protagonist's illegitimacy, sexual transgression makes Esther Summerson a quilting point for layers of biblical allusion to the fallen woman and judgment within Bleak House.Linked to John 8's woman caught in adultery and the novel's repeated invocation of apocalyptic judgment, attention to Queen Esther reveals the novel's negotiation of different kinds of judgment to avert condemnation of the fallen woman whilst underlining the need for the denunciation of social ills.In Bleak House (1852-3), names are not arbitrary. Blatantly and subtly, names communicate essential aspects of individual characters. Miss Flite desires freedom and escapes into madness, Smallweed is the minor yet strangling tare of capitalism and Nemo has self-designated his non-existence. Where Miss Summerson brings light and life wherever she goes, her forename Esther would have been equally, and immediately, meaningful to a Victorian biblically saturated audience.