“…Be that as it may, the incorporation of morphology into the synthesis was a later development." (Ghiselin, 2006) For the sake of brevity, I will concentrate on the work of these few individuals, although they were not the only ones to apply a functional approach to the study of evolutionary novelties in that period 74 For example, there were related developments of the approach of functional morphology in invertebrate paleontology, such as the method of "paradigms" aimed at inferring the functions of fossil characters from their structures and thus their ways of life (Rudwick, 1964) This research program was primarily focused on functional analysis independently of evolutionary considerations, but it was also applied to trace the evolution of echinoderms or brachiopods (Nichols, 1967;Rudwick, 1970) 75 This functional approach in paleontology was first advocated by Stephen Jay Gould (Gould, 1970) before his later turn against adaptationism (Gould and Lewontin, 1979; see Rudwick, 2017Rudwick, , 2018 Although I will not provide an extensive review here, I will give a few other examples of the use of functional morphology to infer the evolution of higher taxa and new characters These studies did not all use the concepts of preadaptation and functional shift in their explanations but manifest a common trend in methods and theoretical commitments the origin of the heatsensing pit organ of pit vipers (Dullemeijer, 1959) the evolution of the head in a teleost fish (Liem, 1967) of tail autotomy in salamanders (Wake and Dresner, 1967) the origin of the mammalian lower jaw (Crompton and Parkyn, 1963) of the jaw of bolyerine snakes (Frazzetta, 1975(Frazzetta, , 1970 the origin of the coelom (Gutmann, 1966; see Gudo, 2002) of wings and flight in insects (Flower, 1964;Wigglesworth, 1973Wigglesworth, , 1963; of the insect ovipositor (Scudder, 1964(Scudder, , 1961; of the protrusile tongue in salamanders (Lombard and Wake, 1977, 1976 see Griesemer, 2013 the evolution of characters in arthropods, such as those associated with locomotion (Manton, 1972…”