The Films of Federico Fellini

Abstract

The films of Federico Fellini / Peter Bondanella. p. cm.-(Cambridge film classics) Includes bibliographical references and index. isbn 0 521 57325 4isbn 0 521 57573 7 (pb.) 1. Fellini, Federico-Criticism and interpretation. I. Title. II. Series. pn1998.3.f45 b665 2001 791.43´0233´092-dc21 2001035147 isbn 0 521 57325 4 hardback isbn 0 521 57573 7 paperback

Świętość i grzech w wybranych filmach Federico Felliniego

“…Fellini tworzy więc często esej o artyście oraz o kondycji sztuki. Można w jego twórczości filmowej odnaleźć jednak wątki chrześcijańskie, ściśle związane z tradycją i kulturą z jednej strony antyku i włoskiej prowincji, a z drugiej -Rzymu, ściślej: Watykanu, miasta-państwa kościelnego (Birkholc, 2022;Bondanella, 2002). Nie są one oczywiste i pozornie nie stanowią głównego wątku fabuły.…”

Attitudes toward finitude in the cinema of Federico Fellini: Light on older adults

“…Federico Fellini is one of the most famous screenwriters and film directors of all time (Bondanella, 2002). The cinema of Fellini represents a complex, elegant, and sometimes contradictory combination of poetic, lyrical, and visual images (Bondanella, 2002).…”

“…Federico Fellini is one of the most famous screenwriters and film directors of all time (Bondanella, 2002). The cinema of Fellini represents a complex, elegant, and sometimes contradictory combination of poetic, lyrical, and visual images (Bondanella, 2002). He is frequently compared to or even recognized as a master of the Italian Renaissance owing to his ability to manage light and sketch out every detail (Bondanella, 2002).…”

“…The cinema of Fellini represents a complex, elegant, and sometimes contradictory combination of poetic, lyrical, and visual images (Bondanella, 2002). He is frequently compared to or even recognized as a master of the Italian Renaissance owing to his ability to manage light and sketch out every detail (Bondanella, 2002). Another aesthetic characteristic of his cinema is the obsession to "enter" in the human brain and explore the imagination, the irrational, and the subconscious (Bondanella, 2002).…”

“…He is frequently compared to or even recognized as a master of the Italian Renaissance owing to his ability to manage light and sketch out every detail (Bondanella, 2002). Another aesthetic characteristic of his cinema is the obsession to "enter" in the human brain and explore the imagination, the irrational, and the subconscious (Bondanella, 2002). As such, Fellini's movies might represent a valuable material to reflect on some paradigms of human existence.…”