The Works of Thomas Deloney 1631
DOI: 10.1093/oseo/instance.00010278
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The Garland of Good Will

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“…Some Elizabethan reformers worried that older people in particular, those who could recall the undamaged furnishings of their churches before the Reformation, might continue to indulge in a kind of inner idolatry, cobbling their icons out of a mixture of memory and the surviving visual evidence. In Thomas Deloney’s (1912) ‘Song between Truth and Ignorance’ (in Deloney, 1912), Ignorance is permitted a remarkably moving reflection on how one looks at absence:To heare the Friers zinging,as we did enter in.and then to see the Roodloft,zo brauely set with Zaints:And now to zee them wanting,my heart with zorrow faints.…”
Section: The Curation Of Iconoclasmmentioning
confidence: 99%
“…Some Elizabethan reformers worried that older people in particular, those who could recall the undamaged furnishings of their churches before the Reformation, might continue to indulge in a kind of inner idolatry, cobbling their icons out of a mixture of memory and the surviving visual evidence. In Thomas Deloney’s (1912) ‘Song between Truth and Ignorance’ (in Deloney, 1912), Ignorance is permitted a remarkably moving reflection on how one looks at absence:To heare the Friers zinging,as we did enter in.and then to see the Roodloft,zo brauely set with Zaints:And now to zee them wanting,my heart with zorrow faints.…”
Section: The Curation Of Iconoclasmmentioning
confidence: 99%