1936
DOI: 10.2307/3633319
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The Gaucho

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“…Payadas were held, and the newspaper La Prensa noted at least one sorrowful occasion when five hundred potential customers battled the police in hot fury because not even standing room was left in the theater where one such payada was to take place. 41 These imitations and reenactments were surely laden with studied artifice. Yet they nevertheless manifested ritually the high value placed on gaucho traditions and the desire of Italians to become creolized.…”
Section: Porque Esos Apolitanosmentioning
confidence: 99%
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“…Payadas were held, and the newspaper La Prensa noted at least one sorrowful occasion when five hundred potential customers battled the police in hot fury because not even standing room was left in the theater where one such payada was to take place. 41 These imitations and reenactments were surely laden with studied artifice. Yet they nevertheless manifested ritually the high value placed on gaucho traditions and the desire of Italians to become creolized.…”
Section: Porque Esos Apolitanosmentioning
confidence: 99%
“…Juan Moreira became so popular that publishing houses hired professional "poets" to render the tale into verse for a market that would support repeated editions. 17 The story's dramatization was of even greater consequence because it played a central role in defining the circo criollo (creole circus) and fostering an Argentine national theater. 18 Most important for this study, the dramatization of Moreira created the context for the birth of the Cocoliche character.…”
Section: The Birth Of Cocoliche the Dramatic Personamentioning
confidence: 99%