This article draws from funeral rituals and performative festivals to reflect on how and why burials, reburials and performances of Eyo and Nzem Berom festivals provide excellent examples of cultural politics and represent occasions for the (re)production of kinship, belonging and claims to ownership in the cities of Lagos and Jos. It argues that existing literature on the politics of belonging in Africa either understates or overlooks the roles of funerals and festivals in expressing and contesting ownership of the city. Relying on institutional ethnography, the article illustrates the essentially political nature of festivals and funerals in relation to city ownership, not only in the sense that traditional place identity benefits some groups more than others but also in that it defines who belongs and who does not while inducing conflicts.