Higher Education and Policy for Creative Economies in Africa 2020
DOI: 10.4324/9781003127802-9
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The historical evolution of the cultural and creative economy in Mahikeng, South Africa

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Cited by 3 publications
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“…It benefited once again from being a political capital and was heavily subsidized by the South African state. It also experienced an infrastructure construction boom in tangible cultural assets, though this was not a deliberate LED policy, and it benefited from mining royalties and tourism spending (Drummond 2019). These tangible cultural assets formed the basis for a cultural and creative industries cluster in the town that included a local newspaper, radio station, and television broadcaster; orchestra, dance, drama, and arts and crafts at Mmabana Cultural Centre; recording studios (where the soundtrack to the Lion King was produced); Lotlamoreng Cultural Village; 60s Festival; and the University of Bophuthatswana's fine art department, which ran the Sol Plaatjie Memorial Art Exhibition (Drummond 2019).…”
Section: Contextmentioning
confidence: 99%
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“…It benefited once again from being a political capital and was heavily subsidized by the South African state. It also experienced an infrastructure construction boom in tangible cultural assets, though this was not a deliberate LED policy, and it benefited from mining royalties and tourism spending (Drummond 2019). These tangible cultural assets formed the basis for a cultural and creative industries cluster in the town that included a local newspaper, radio station, and television broadcaster; orchestra, dance, drama, and arts and crafts at Mmabana Cultural Centre; recording studios (where the soundtrack to the Lion King was produced); Lotlamoreng Cultural Village; 60s Festival; and the University of Bophuthatswana's fine art department, which ran the Sol Plaatjie Memorial Art Exhibition (Drummond 2019).…”
Section: Contextmentioning
confidence: 99%
“…It also experienced an infrastructure construction boom in tangible cultural assets, though this was not a deliberate LED policy, and it benefited from mining royalties and tourism spending (Drummond 2019). These tangible cultural assets formed the basis for a cultural and creative industries cluster in the town that included a local newspaper, radio station, and television broadcaster; orchestra, dance, drama, and arts and crafts at Mmabana Cultural Centre; recording studios (where the soundtrack to the Lion King was produced); Lotlamoreng Cultural Village; 60s Festival; and the University of Bophuthatswana's fine art department, which ran the Sol Plaatjie Memorial Art Exhibition (Drummond 2019). The intangible cultural assets illustrate the combination of British and Batswana cultures as the two co-existed through the arts, with classical music and ballets being performed alongside dramas written and produced by Batswana creatives relating to their culture and the situation in South Africa (Drummond 2019).…”
Section: Contextmentioning
confidence: 99%