2014
DOI: 10.1484/m.seuh-eb.5.101612
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The Image of the City Quantified: The Serial Analysis of Pictorial Representations of Urbanity in Early Netherlandish Art (1420-1520)

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“…To depict the city, fifteenth-century painters most frequently used the profile view over other representational viewpoints such as the oblique or bird's-eye view. 40 The representational tension between looking at a particular site or feature within a more complex geographic system stems from Ptolemy's definitions of geography and chorography, which was translated and printed in Florence between 1469 and 1472. 41 The Roman author likened geography to the face, and chorography to a particular facial feature, like an ear or a nose.…”
Section: The Role Of the Profile View In Shaping Civic Identitymentioning
confidence: 99%
“…To depict the city, fifteenth-century painters most frequently used the profile view over other representational viewpoints such as the oblique or bird's-eye view. 40 The representational tension between looking at a particular site or feature within a more complex geographic system stems from Ptolemy's definitions of geography and chorography, which was translated and printed in Florence between 1469 and 1472. 41 The Roman author likened geography to the face, and chorography to a particular facial feature, like an ear or a nose.…”
Section: The Role Of the Profile View In Shaping Civic Identitymentioning
confidence: 99%