1924
DOI: 10.1037/h0069999
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The immediate and long time effects of classical and popular phonograph selections.

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Cited by 45 publications
(20 citation statements)
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“…After the last repetition, most subjects declared "that the aesthetic effect is improved by hearing the music repeatedly" (p. 474). This frequency-affect relation has been confirmed in many subsequent studies (Gilliland & Moore, 1924;Heingartner & Hall, 1974;Johnson, Kim, & Risse, 1985;Krugman, 1943;Lieberman & Walters, 1968;Moore, 1914;Mull, 1957;Verveer, Barry, & Bousfield, 1933;Washburn, Child, & Abel, 1927;Wilson, 1979; but see Brickman, Redfield, Harrison, &Crandall, 1972, andHeyduk, 1975, for negative results) for a large variety of music. Mere exposure effects on affect judgments have been obtained with classical music (both tonal and atonal: see, e.g., Gilliland & Moore, 1924;Mull, 1957),jazz (see, Copyright 1998 Psychonomic Society, Inc. 884 e.g., Verveer et aI., 1933), Korean (Johnson et aI., 1985), and Pakistani (Heingartner & Hall, 1974) music, as well as random tone sequences (Wilson, 1979).…”
Section: The Mere Exposure Effect For Musicmentioning
confidence: 49%
“…After the last repetition, most subjects declared "that the aesthetic effect is improved by hearing the music repeatedly" (p. 474). This frequency-affect relation has been confirmed in many subsequent studies (Gilliland & Moore, 1924;Heingartner & Hall, 1974;Johnson, Kim, & Risse, 1985;Krugman, 1943;Lieberman & Walters, 1968;Moore, 1914;Mull, 1957;Verveer, Barry, & Bousfield, 1933;Washburn, Child, & Abel, 1927;Wilson, 1979; but see Brickman, Redfield, Harrison, &Crandall, 1972, andHeyduk, 1975, for negative results) for a large variety of music. Mere exposure effects on affect judgments have been obtained with classical music (both tonal and atonal: see, e.g., Gilliland & Moore, 1924;Mull, 1957),jazz (see, Copyright 1998 Psychonomic Society, Inc. 884 e.g., Verveer et aI., 1933), Korean (Johnson et aI., 1985), and Pakistani (Heingartner & Hall, 1974) music, as well as random tone sequences (Wilson, 1979).…”
Section: The Mere Exposure Effect For Musicmentioning
confidence: 49%
“…A number of music studies have assessed exposure effects (e.g., Coppock, 1978;Gilliland & Moore, 1924;Hargreaves, 1984;Heyduk, 1975;Meyer, 1903;Szpunar, Schellenberg, & Pliner, 2004;Verveer, Barry, & Bousfield, 1933;Washburn, Child, & Abel, 1927), and music liking and recognition have been largely distinguished as implicit and explicit forms of memory that are influenced by exposure (Peretz, Gaudreau, & Bonnel, 1998). However, only two studies have*indirectly*examined how music differing in initial affective qualities impacted emotional judgements to the music after repeated exposures.…”
Section: Exposure To Affective Meaningful Stimulimentioning
confidence: 97%
“…Although this research dates back to theoretical propositions advanced by Fechner (1876) and a sizable body of research done in the early part of this century (e.g., Gilliland & Moore, 1924;Maslow, 1937;Pepper, 1919;Valentine, 1914;Verveer, Barry, & Bousfield, 1933;Washburn, Child, & Abel, 1927), the current interest in the area has been largely stimulated by an impressive recent monograph by Zajonc (1968). Zajonc contended that repeated exposure of a novel stimulus was a sufficient condition for enhancement of one's attitude toward that stimulus.…”
Section: The Computer As Experimenter: An Examination Of the Effects mentioning
confidence: 99%