The impact of Hollywood majors on the local film industry. The case of Poland

Bartosiewicz, Aleksandra; Orankiewicz, Agnieszka

doi:10.1080/17510694.2020.1736452

Cited by 4 publications

(5 citation statements)

References 12 publications

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“…Second, there were studies that focused on searching for new indicators that could be helpful in generating predictive models. In our study, we expanded the factors or indicators suggested by other studies (Szomszor et al 2007 ; Lash and Zhao 2016 ; Bartosiewicz and Orankiewicz 2020 ).…”

Section: Discussionmentioning

confidence: 99%

“…The previous studies in Table 2 can be broadly classified based on the level of research: industry, enterprise, or movie. At the industry level, research was conducted with a focus on either success strategies or phenomena occurring in a country's film industry (Bartosiewicz and Orankiewicz 2020 ; Walls and McKenzie 2020 ; Yue 2020 ; Jang et al 2021 ). At the enterprise level, research was conducted in connection with strategies related to marketing in order to improve the performance of movies (Szomszor et al 2007 ; Weng et al 2009 ; Gao et al 2020 ).…”

Section: Literature Review and Hypotheses Developmentmentioning

confidence: 99%

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Exploring the key success factors of films: a survival analysis approach

2021

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Section: Discussionmentioning

confidence: 99%

Section: Literature Review and Hypotheses Developmentmentioning

confidence: 99%

Exploring the key success factors of films: a survival analysis approach

2021

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“…The research was conducted on the Polish market, although it is not limited to the Polish film distribution model. It is worth mentioning that before COVID-19, the Polish cinema distribution market had grown steadily; over 3500 films were distributed in cinemas in Poland between 2002 and 2018, and more than 569 million viewers watched them [39].…”

Section: Methodsmentioning

confidence: 99%

The COVID-19 Pandemic and the Adoption Factors of Film Distribution Business Models in the Context of Sustainability

Orankiewicz,

Bartosiewicz

2023

Sustainability

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The COVID-19 pandemic exacerbated already visible changes in the film distribution model caused by the rapid growth of streaming platforms. Restrictions caused by the pandemic, including movement and occupancy limits, meant that the current distribution model had to change. At the same time, it has caused certain behaviours and changes in audience preferences to emerge that have rendered the value proposition offered to viewers insufficient. The sustainability of film distribution encompasses both business and cultural aspects, seeking to create value that is sustainable from a social, economic, and environmental perspective. The aim of this article is to identify and quantify the strength of factors influencing the formation of contemporary film distribution business models. Starting from the observations of changes in the film distribution market, through a literature review, and semi-structured and computer-assisted CAWI expert interviews conducted from December 2022 to May 2023, we attempt to identify which factors influence the change in the business model adopted. The results of the research carried out indicate that it is primarily social and economic factors that drive the creation of new business models for film distribution, while environmental aspects are still considered to be the least important in this regard.

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“…The theoretical basis of this research is the work of scientists, historians, and critics who study and analyse the cinematograph of the New Hollywood and modernity. Among them are Ann Wells (2018), & Bartosiewicz & Orankiewicz (2020), Berliner (2020a2020b), Bettinson (2019), Cerasulo (2018), Ghourchi & Mosaviyan (2020), Clogher (2018), Kanjere (2020), and others. Within the framework of the topic under study, the problems of director's self-fulfilment that still arise today were analysed.…”

Section: Methodsmentioning

confidence: 99%

Author's cinematograph of new Hollywood

Pogrebniak¹,

Gavran

Honcharuk

et al. 2021

lingcure

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The paper is devoted to the problems of director's self-fulfilment in the cinematograph of New Hollywood. The study examines such a unique phenomenon of the artistic culture of the 20th century as American author's cinematograph. The relevance of this study is determined by the trends in the development of New Hollywood, which have radically changed the essence of modern cinematograph. The purpose of the study is to identify the specifics of New Hollywood cinema, which resonated in the work of modern Hollywood directors as an influential and competitive area. The main emphasis in this study is placed on the attempts of both historians and film theorists, as well as practitioners themselves to find clear boundaries between American independent and mass Hollywood cinematograph, as well as on the reasons why film critics and culturologists consider a particular American film to be independent, author's, or mass cinema (the so-called mainstream). At the same time, the main areas and trends of American author's cinematograph are studied from the point of view of director's self-fulfilment. Examples from films by American directors and authors were analysed. Methods of scientific analysis, comparison, and generalisation were used in the study of the topic.

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The impact of Hollywood majors on the local film industry. The case of Poland

Cited by 4 publications

References 12 publications

Exploring the key success factors of films: a survival analysis approach

Exploring the key success factors of films: a survival analysis approach

The COVID-19 Pandemic and the Adoption Factors of Film Distribution Business Models in the Context of Sustainability

Author's cinematograph of new Hollywood

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