2011
DOI: 10.1509/jmkg.75.4.86
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The Impact of Incomplete Typeface Logos on Perceptions of the Firm

Abstract: This research investigates the influence of incomplete typeface logos on consumer perceptions of the firm. In these logos, parts of the characters in the company name are intentionally missing or blanked out, giving rise to a form of perceptual ambiguity. Three studies demonstrate that although incomplete typeface logos have an unfavorable influence on perceived firm trustworthiness, they have a favorable influence on perceived firm innovativeness. The former influence is tied to the logo's perceived clarity, … Show more

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Cited by 203 publications
(196 citation statements)
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References 36 publications
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“…For example, an entertainment company is expected to provide fun and colorful entertainment, but an insurance company is expected to provide predictable protection (Hagtvedt 2011). The latter firm thus fits with brand cues signaling stability and predictability, which seem more likely to arise from static or object-animated logos rather than the more malleable behavior implied by agent animation, which fits better with the entertainment firm.…”
Section: Fit Between Agent Animation and Firmmentioning
confidence: 92%
See 1 more Smart Citation
“…For example, an entertainment company is expected to provide fun and colorful entertainment, but an insurance company is expected to provide predictable protection (Hagtvedt 2011). The latter firm thus fits with brand cues signaling stability and predictability, which seem more likely to arise from static or object-animated logos rather than the more malleable behavior implied by agent animation, which fits better with the entertainment firm.…”
Section: Fit Between Agent Animation and Firmmentioning
confidence: 92%
“…The brand logo is a cornerstone of brand identity (Lupton 2004), and prior research has focused on understanding the influences of its graphical and typographic elements (Hagtvedt 2011;Henderson et al 2004;Janiszewski and Lans et al 2009). Notably, recent research demonstrates that implied movement in static logos favorably influences brand attitudes by enhancing engagement (Cian et al 2014).…”
mentioning
confidence: 99%
“…Hutton (1987Hutton ( , 1997, O'Leary (1987) Somerick (2000), Spaeth (1995) and Tantillo, Janet, and Richard (1995) believe that a typeface can create a significant impression and an optimistic image with the public: modification of the company's typeface helps to communicate the company's goals (Henderson, Giese, and Cote 2004;Spaeth 1999Spaeth , 1995. Furthermore, a typeface can contribute to increasing a company's value (Hagtvedt, 2011). Therefore, based on the discussion that highlights the importance of typeface, its ambiguous relationship within corporate logo research, and finally, relevance to the present context of the study, it is hypothesized:…”
Section: H1mentioning
confidence: 99%
“…Typeface is an important dimension of the corporate logo (Carter, 1982;Hagtvedt, 2011;Melewar and Saunders, 1998;Olins, 1991) and its implementation is thus crucial, which can support other elements of corporate visual identity systems (Henderson et al, 2004;Spaeth, 1999). There is also a fit with the perspective advocated by Henderson et al (2004), that a company's typeface helps to communicate the company's goals and the message should communicate consistency (Bottomley and Doyle, 2006;Klink, 2003 The comments above signified the direct relationship between the corporate name and corporate logo.…”
Section: Typeface --> Corporate Logomentioning
confidence: 99%