The implications of Indigenous conceptual frameworks and methods for rethinking humanness as performance

Abstract

the value of a bottom-up perspective, but the connection to the theoretical model in not clear to me. Despite the call for attention to detail and human engagement with things, the perspective remains at arm's length. What, more concretely, would the performance of the embodied self, moving across that landscape, look like? What precisely would be an object of concern for the peasant gazing at the shifting seasons and the enclosed hill with its shrines and storage units: The plough in their hand? Their leaking shoe? The thundering clouds in the sky? The growing spelt wheat?