The Influence of The „KOMISARZ Alex“ TV Series on The Development of Łódź (Poland) in The Eyes of City Inhabitants

Cudny, Waldemar

doi:10.2478/mgr-2014-0004

Cited by 5 publications

(4 citation statements)

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“…The way the industrial city was organized socially was significantly linked to the distribution of shared resources, often in a close connection to industrial production (Henriques et al, 2014). The industrial society, with the work culture at its center, clashes during the transformation period with the postindustrial city, which produces new privileged groups of citizens and new preferred themes, as well as new cultural forms (Cudny, 2014).…”

Section: Rhythms Of the Industrial And The Postindustrial Citymentioning

confidence: 99%

Time–space rhythms of the city—The industrial and postindustrial Brno

2015

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This paper examines the transformation of the postindustrial city in terms of its temporal structure. It takes concepts of time geography, routine, and rhythmicity of the classic Lund school, Lefebvre's analysis of rhythms, and Crang's geographic application of the chronotope concept as its starting points. Analyzing changes in the city bus transport services in Brno between 1989 and 2009, the paper attempts to capture in empirical terms the onset of the postindustrial phase of the city's development. While temporality of an industrial city can be characterized by a shared rhythm determined by a small number of dominant pacemakers (industrial plants), the deindustrialized city is associated with a significant weakening of such pacemakers cutting across the society and thus with a distinctive individualization of urban rhythmicity.

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Section: Rhythms Of the Industrial And The Postindustrial Citymentioning

confidence: 99%

Time–space rhythms of the city—The industrial and postindustrial Brno

2015

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“…The second decade of the 21 st century saw the beginning of fundamental research and analyses of case studies in Poland, including Sandomierz (Leszczyński, 2014;Szpara, Musz, 2016;Faracik, 2017), Łódź and the Łódź Voivodeship (Cudny, 2014;Kronenberg, 2015a;Ciszewska, 2016), Lublin (Bernat, 2016), the Kuyavian-Pomeranian Voivodeship (Kubisz, Matulewski, Makohonienko, 2014), selected film festivals (Cudny, 2011;Konieczna, 2014) and the use of European Union funds for the promotion of film tourism (Kucharska, 2012).…”

Section: Film Tourism: Notion Kinds State Of Researchmentioning

confidence: 99%

Film tourism in Poland: potential and perspectives for development

Stasiak

2022

BGSS

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Travel has been inspired by films for many years, but only in the early 21st century did it begin to constitute a significant volume. In many places in the world, film tourism has become a true phenomenon. The paper constitutes the first so broad an attempt at determining the state of film tourism in Poland. Based on 15 years of the author’s own research and research by other Polish scholars, an inventory of film heritage (film locations, museums, festivals and other attractions) was taken and – as far as the available data allowed – the characteristics of associated tourist traffic were provided. The research procedure revealed numerous gaps in our knowledge. Hence, apart from other conclusions, a list of problems that, in the years to come, should become a subject of interest among cultural tourism scholars in Poland was included in the summary.

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“…Various authors also use the expression "cultural industries", referring to the components of the cultural economy. According to Cudny (2014c), "cultural industries deal primarily with symbolic goods, whose primary economic value derives from their cultural value. There are the 'typical' cultural industries (broadcast media, film, publishing, recorded music, design, architecture, new media), and the 'traditional arts' (visual art, crafts, theatre, musical theatre, concerts and performance, literature, museums and galleries).…”

Section: The Origins and Development Of Festivalsmentioning

confidence: 99%