2015
DOI: 10.1037/cns0000071
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The interpersonal development of an embodied sense of agency.

Abstract: We argue that a sense of agency has interpersonal origins and arises from a contingent coupling of the self and the social and material world. This perspective has implications for the assessment and conceptualization of a sense of agency in the empirical literature. We explore the development of a sense of agency as, in part, an implicit, embodied assumption that arises through the child's experience of "good-enough" contingent responsiveness from caregivers. We contend that a caregiver's capacity for audienc… Show more

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Cited by 4 publications
(7 citation statements)
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“…We focus on Pini's re-enactment of illness through her video dance performances, to emphasise how performative practises can offer original perspectives that contribute to questioning and reframing established notions of subjectivity and different forms of agency. By relating to current notions of agency in psychology and philosophy (Balconi, 2010;Gallagher, 2013;Bresnahan, 2014;Ataria, 2015Ataria, , 2018Deans et al, 2015;Moore, 2016;Martens, 2018;Ravn, 2020;Pini and Deans, in press), we stressed the capacity of dance to enable the reacquisition of an agentic perspective. Addressing Pini's case of acquired impairment and hidden disability, we highlighted how agency in dance encompasses cognitive and performative dimensions, providing an example of how a dancing body can reframe notions of disability considering its intersubjective and ecological aspects.…”
Section: Discussionmentioning
confidence: 99%
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“…We focus on Pini's re-enactment of illness through her video dance performances, to emphasise how performative practises can offer original perspectives that contribute to questioning and reframing established notions of subjectivity and different forms of agency. By relating to current notions of agency in psychology and philosophy (Balconi, 2010;Gallagher, 2013;Bresnahan, 2014;Ataria, 2015Ataria, , 2018Deans et al, 2015;Moore, 2016;Martens, 2018;Ravn, 2020;Pini and Deans, in press), we stressed the capacity of dance to enable the reacquisition of an agentic perspective. Addressing Pini's case of acquired impairment and hidden disability, we highlighted how agency in dance encompasses cognitive and performative dimensions, providing an example of how a dancing body can reframe notions of disability considering its intersubjective and ecological aspects.…”
Section: Discussionmentioning
confidence: 99%
“…Research across phenomenology and the cognitive sciences pointed out how undergoing traumatic experiences often leads to a diminished sense of agency and a feeling of dissociation and "disownership" (Ataria, 2015(Ataria, , 2018. Researchers in psychology have also argued that a sense of agency arises from the coupling of the self with the social and material world, and as such it presents an interpersonal origin (Deans et al, 2015) 3 . Understanding agency and attunement as an intersubjective ecological phenomenon is salient in the context of addressing performance practises and the ways dance can expand and influence empathic and perceptive experience (Pini and Deans, in press).…”
Section: Dancing Illnessmentioning
confidence: 99%
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“…Stern emphasized the notion that it is through the resonance afforded by attuned interaction of caregivers that we first begin to form our own sense of what we feelour experience of the world. However, crucially-it is not simply an 'experiencing with' in terms of direct reflection of feeling or a 'joining in', but instead must also signal to the infant that the parent is not simply caught up in an emotional contagion of their experience, but can instead recognize their own separate centre of subjective experience (Stern 1985;Deans, McIlwain and Geeves, 2015).…”
Section: Contact Improvisationmentioning
confidence: 99%
“…301–314). In the final section of the special issue, contributors explore real-world applications of sense of agency research, including a developmental account of how the capacity for agency emerges during childhood (Deans, McIlwain, & Geeves, 2015, pp. 315–325), an exploration of agency alteration in dreams (Rosen, 2015, pp.…”
mentioning
confidence: 99%