“…Also since 2013, and especially 2016, the state labels routinely criticism of all sorts – including graffiti – as terroristic. In 2013 and since, academics, journalists and NGOs also evaluated Gezi in terms of civil society, social mobilization, public space and social media struggles, urban politics, occupy movements, neoliberalism, civil liberties, human rights, and repression and resistance under democracy (e.g., Akçalı & Korkut, ; Amnesty International, , ; Batuman, ; Catterall, ; Göle, ; Gürcan & Peker, ; Lancaster, ; Musil, ; Özkırımlı, ; Turam, ). Graffiti conveyed protesters’ diverse concerns – often inventively, with caricatures, biting satire and vulgar yet trenchant humour.…”