1987
DOI: 10.1007/bf01141814
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The known, the remembered, and the imagined: Celebrating Afro-American folktales

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Cited by 5 publications
(2 citation statements)
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“…Yet, because authors concurrently write from particular cultural points of reference, the displays, frequency, and choice of literary elements are most certainly culturally influenced. For example, in her essay, "The Known, the Remembered, and the Imagined: Celebrating Afro-American Folktales," Hamilton (1987) writes that her books have "presented aspects of story, style, and language from the perspective of a parallel American culture" (p. 67). Likewise, Feelings (1985) states, "Storytelling is an ancient African tradition where the values and history of a people are passed on to the young verbally.…”
Section: African American Children's Literature As Literary Artmentioning
confidence: 99%
“…Yet, because authors concurrently write from particular cultural points of reference, the displays, frequency, and choice of literary elements are most certainly culturally influenced. For example, in her essay, "The Known, the Remembered, and the Imagined: Celebrating Afro-American Folktales," Hamilton (1987) writes that her books have "presented aspects of story, style, and language from the perspective of a parallel American culture" (p. 67). Likewise, Feelings (1985) states, "Storytelling is an ancient African tradition where the values and history of a people are passed on to the young verbally.…”
Section: African American Children's Literature As Literary Artmentioning
confidence: 99%
“…Information-processing theories and correlation models of learning strongly suggest the inter-relation and duplex influence between the different brain functions (Nithart et al, 2009). Moreover, as Hamilton (1987) and other researchers suggest, meaning making exercises, narration activities and story-construction are the base for the overall language development of preschool children (Peskin & Astington, 2004).…”
Section: Discussionmentioning
confidence: 95%