IntroductionWhen we read early Christian narratives such as the Acts of Paul and Thecla, what is the relationship between the characters portrayed in the story and the "real-life" persons and groups who composed and transmitted the work? In the second-century Greek account, Thecla abandons her fiancé and family to follow Paul and his ascetic message. She endures a trial by fire in Iconium, resists sexual assault on the road to Antioch, and survives attacks by beasts in the Antiochene arena, all the while supported by a wealthy widow as her patron, a friendly lioness as her protector, and a chorus of women in the stadium who extol her perseverance and cry out to the governor for mercy. In the end, after baptizing herself, Thecla is released, dresses herself like a man, and begins preaching the gospel as an itinerant apostle.In light of its descriptions of dislocated families, male sexual violence, communities of women (including female patrons and clientele), and the physical alteration of bodily appearance and dress to facilitate freedom of travel, what, if anything, does the Acts of Paul and Thecla tell us about the actual concerns of second-century communities? These are questions with which scholars have been especially preoccupied over the past thirty-five years. In the case of Thecla's story, they are questions significantly complicated by factors related to the study of gender in late antiquity.In this article, I have two main goals related to this line of inquiry. My first task is to trace a history or genealogy of the different ways that Thecla's story has been interpreted in recent scholarship. In doing so, I seek to show how scholars (myself included) have used Thecla "to think with" as they have gone about the task of