Abstract:Merleau-Ponty wrote prolifically throughout his life on psychology, aesthetics, and politics, on pedagogy, physics, and painting. Between his appointment to the Université de Lyon in 1945 and his sudden death in Paris in 1961—a copy of Descartes’ Dioptrique on the desk in front of him—the survey of courses he taught is dizzying in scope. For all its promise, however, the interdisciplinary nature of Merleau-Ponty’s work, and the abruptness of its end, raises the question of how these projects connect. The quest… Show more
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