“…If environmental sociology and critical geography in Ireland have perhaps been reluctant to engage in the endurances of colonialism in Ireland over the past few decades for any number of reasons, the study of literature and culture has covered the topic extensively. Likely familiar to readers of Irish Studies Review, this persistence may be due to the discipline's entanglements with Irish Studies and thus its sharing of key (and ongoing) debates and discourses with history, which has been dominated by revisionism since the 1990s, leading to many prominent literary critics to forcefully maintain the postcolonial framework against this encroaching historical recasting (see Connolly 2004). David Lloyd (1993), for example, and other contemporaries in the early-1990s such as Declan Kiberd (1996), Shakir Mustafa (1996), Luke Gibbons (1996), and those associated with the Field Day Theatre Company (see Eagleton, Jameson, and Said, 1990) agitated variously against the hegemonic "top-down elite histories" (Cleary 2022) of revisionist historiography, which sought to negate and depoliticise the "colonial" framework in favour of empiricism and so-called historical objectivity.…”