Abstract:In the late eighteenth century, the language of sentiment was deployed to justify a wealth of individual behaviours, laudable or otherwise. From illicit desire in Jean-Jacques Rousseau's Julie to murder in Herbert Croft's Love and Madness, sensibility was, among other things, a tool of exoneration. Using Edmund Burke's appropriation of sentimentalism in the Powell-Bembridge scandal of 1783, this article examines what happens when this well-worn mechanism fails, when sensibility reaches its limits. Burke's inab… Show more
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