2018
DOI: 10.4324/9781315107981
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The Literariness of Media Art

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Cited by 9 publications
(3 citation statements)
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“…д.) (Benthien, Lau, Marxsen, 2019). Авторы терминологически наследуют русскому формализму и указывают на остранение языка и деавтоматизацию восприятия, которые достигаются за счет мультимодальности медиапроизведений, нацеленных на трансформацию традиционных нарративных структур и литературных практик.…”
Section: для современной поэзии наравне с экспериментом в области син...unclassified
“…д.) (Benthien, Lau, Marxsen, 2019). Авторы терминологически наследуют русскому формализму и указывают на остранение языка и деавтоматизацию восприятия, которые достигаются за счет мультимодальности медиапроизведений, нацеленных на трансформацию традиционных нарративных структур и литературных практик.…”
Section: для современной поэзии наравне с экспериментом в области син...unclassified
“…Art, installation, new media, expanded cinema, visual music, and experimental film, including celebrated artists such as Jeremy Blake, Mona Hatoum, Pierre Huyghe, Ryoji Ikeda, Takeshi Murata, Diana Thater, and Jennifer West, alongside emerging artists [132]. Claudia Benthien, Jordis Lau and Maraike M. Marxsen [133] explore the literariness of media art starting from the framework of Russian Formalism, where the term 'literariness' was coined. The work of renowned artists such as Chantal Akerman, Mona Hatoum, Gary Hill, Jenny Holzer, William Kentridge, Nalini Malani, Bruce Nauman, Martha Rosler, and Lawrence Weiner is explored in this volume that analyses experimental film, video performance, moving image installations, and other media-based art forms from the perspective of intermediality, remediation, and postdrama [133].…”
Section: Postdigital Performance and Installation Artmentioning
confidence: 99%
“…Kriwet addresses the infant television network by alternating the textual noise of the cityscape, radio and newspapers with his own newspaper collages and circular poems. The alternation of disparate images and text create a tension between legibility and readability, in such a way to destabilize perception modes (Benthien, Lau, and Marxsen 2019). The radio cut-ups are also precious: "Save now, buy later!"…”
Section: Film Poetrymentioning
confidence: 99%