The rapid rise in true crime podcasts is a notable trend accompanying the widespread expansion of podcasting in the twenty-first century. As Tanya Horeck argues in Justice on Demand: True Crime in the Digital Streaming Era, the growth of digital culture and technologies has intensified the rhetoric around "an involved and interactive true crime audience" (2019, p.14), with questions of gender and race central to the affective mechanics of true crime in this era. More narrowly, this chapter will consider the presentation of murdered or missing women in a range of podcast series, with reference to questions of voice and the ways in which, even in an audio medium, stories of violence against women can be sensationalist and emotive forms of infotainment. The podcasts chosen for discussion provide a range of production contexts and approaches to their presentation of female victims' stories, including the American viral sensation Serial (2014), the Audible podcast West Cork (2018), which is set in Ireland and focuses on the unsolved murder of Frenchwoman Sophie Toscan du Plantier, and Missing and Murdered: Finding Cleo (2018), which was produced by the Canadian Broadcasting Corporation and explores the disappearance of a young Indigenous girl.As Lindsey Webb notes, true crime stories have existed for centuries, are largely focused on violence against white women, and "are intended to invoke feelings of horror and shock among their audiences and suggest specific methods -arrest, incarceration, or death of the perpetrator -by which social order may be restored" (2021, p.131). The mode of delivery for true crime stories is, as Lili Pâquet puts it, "increasingly moving from paperback to podcast" (2021, p.423). While podcasts as a media format and label (combining iPod and broadcast) emerged around 2004, the trends for these easily accessed audio files to be PRE-PRINT, final version published in Routledge Companion to Gender, Media and Violence, edited by Karen Boyle and Susan Berridge (2023).