“…Studies so far have discussed the way the stories are constructed: representations of character types, themes, visual codes, parallels between cinema and manga (e.g., Berndt, 2001Berndt, , 2004Berndt, , 2007Brau, 2004;Bryce, 2004;Couch, 2000;Hahn Aquila, 2007;Hand, 2004;Krebs, 2006;Nakar, 2003;Natsume, 2006;Pandey, 2000;Phillipps, 2001;Rommens, 2000;Toku, 2001;Tsuji, 2001). Others have discussed genres of manga (Ito, 2002a(Ito, , 2002bPandey, 2008), the collected works of specific authors and/or artists (MacWilliams, 2000(MacWilliams, , 2002Onoda, 2003;Pandey, 2001;Phillipps, 2008;Shamoon, 2003), the history of manga (Ito, 2002(Ito, , 2005Kinsella, 1999Kinsella, , 2006, and the dynamics of sexuality and gender within manga (e.g., Ogi, 2000Ogi, , 2001Ogi, , 2003Thorn, 2001;Tsurumi, 1997Tsurumi, , 2000.…”