2020
DOI: 10.1177/0027432120975073
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The NAfME Position Statement on Sacred Music in Schools: A Genealogical Inquiry

Abstract: This article examines the NAfME Position Statement on Sacred Music in Schools, which has not been significantly updated since it was first published in 1984. Using genealogical inquiry, the author examines the conditions surrounding the construction of this document in relation to the conditions in the present. Relationships between the history of school prayer, the archive of Music Educators Journal, and relevant case law are investigated. Postsecularsim is described and explored as a possible theoretical fra… Show more

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Cited by 1 publication
(2 citation statements)
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“…However, minority students in homogeneous communities may be afraid to speak out if their teachers program an abundance of music from the dominant religious perspective. In addition, a power/knowledge relationship can exist as teachers try to navigate the expectations of their communities (Koperniak, 2015). Through a global view of religious music, the student participants in this study appeared to develop various elements of intercultural competencies such as attitudes and knowledge.…”
Section: Discussionmentioning
confidence: 99%
See 1 more Smart Citation
“…However, minority students in homogeneous communities may be afraid to speak out if their teachers program an abundance of music from the dominant religious perspective. In addition, a power/knowledge relationship can exist as teachers try to navigate the expectations of their communities (Koperniak, 2015). Through a global view of religious music, the student participants in this study appeared to develop various elements of intercultural competencies such as attitudes and knowledge.…”
Section: Discussionmentioning
confidence: 99%
“…While Christmas music began in the Christian church, “American Christmas traditions drew heavily upon nostalgia. In the nineteenth century, the nostalgic call for ancient carols conditioned what people knew Christmas music to be” (Koperniak, 2015, p. 222). Christmas music became secularized and economically motivated through carols, instrumental arrangements, and popular music.…”
Section: Methodsmentioning
confidence: 99%