Reproductive oppression is the control and exploitation of women, girls, and individuals through our bodies, sexuality, labor, and reproduction. This archaeological research utilizes intersectionality and praxis as analytic tools to uncover reproductive oppression in the past and embolden reproductive justice in the present. At the nineteenth‐century Hollywood Plantation in southeastern Arkansas, the materiality of the past—census records, medicine bottles, toys, and grave markers—provides a lens onto the deep history of reproductive oppression and the ways people responded to it. By situating individuals and artifacts at the intersections, I interpret various artifacts from differing positionalities, focusing and refocusing the lens on all of the women who lived and worked in the house to understand the ways reproduction shaped their lives over time and to draw connections between the control over Black women's bodies exercised by slaveholders and the contemporary trend to limit women's control of their reproductive health. [historical archaeology, reproductive oppression, intersectionality, praxis, Arkansas]