Over the past decade within Hollywood speculative fiction (SF), the natural
environment has become more prominent as a cause of societal collapse.
Interstellar, Elysium, Wall-E, Mad Max, and Tomorrowland, as a few examples,
all include environmental change and deterioration as prominent plot points,
rather than merely as settings. I analyze the political and ideological
tenor of these films with a discourse framework to assess the influence of
certain real-world discourses, as well as their optimism or pessimism in the
context of real-world sustainability transformations. Within this genre, one
continues to find a degree of ‘Prometheanism,’ or techno-optimism, but the
distinctive discursive influence of the past decade and a half has been the
rise of ‘Survivalism,’ a more dystopian or post-apocalyptic discourse. When
the environment is prominent as a theme, that is, these films more often
explore its destruction—often by humans—and the conditions of existence
within such environments.