2008
DOI: 10.1007/s11097-008-9106-2
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The neurological dynamics of the imagination

Abstract: This article examines the imagination by way of various studies in cognitive science. It opens by examining the neural correlates of bodily metaphors. It assumes a basic knowledge of metaphor studies, or the primary finding that has emerged from this field: that large swathes of human conceptualization are structured by bodily relations. I examine the neural correlates of metaphor, concentrating on the relation between the sensory motor cortices and linguistic conceptualization. This discussion, however, leave… Show more

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Cited by 16 publications
(13 citation statements)
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“…Th e presumed diff erence between Hegel and Humboldt -the former appears to have excluded nature from his inquiry while the latter regarded it as his major object of study -not only exemplifi es the kernel issue, but also appears highly enlightening today when considered in the context of empirical brain research. Neuropsychologists who aspire to draw new insights from empirical data have reinterpreted the relationships between our capacities: (1) our perception and creation of the visual arts are not necessarily dependent on the neural pathway of using languages (Zaidel 2010); (2) our neural functions are observed as a fl exible system that is adaptable to various situations (Damasio 1999;Kaag 2009). Th ese new insights provide the framework within which our perception is seen as governed and enhanced by the interplay between our consciousness, emotion and cognition (Pessoa 2008).…”
Section: Introduction: Why Should We Play With Art and Nature?mentioning
confidence: 99%
“…Th e presumed diff erence between Hegel and Humboldt -the former appears to have excluded nature from his inquiry while the latter regarded it as his major object of study -not only exemplifi es the kernel issue, but also appears highly enlightening today when considered in the context of empirical brain research. Neuropsychologists who aspire to draw new insights from empirical data have reinterpreted the relationships between our capacities: (1) our perception and creation of the visual arts are not necessarily dependent on the neural pathway of using languages (Zaidel 2010); (2) our neural functions are observed as a fl exible system that is adaptable to various situations (Damasio 1999;Kaag 2009). Th ese new insights provide the framework within which our perception is seen as governed and enhanced by the interplay between our consciousness, emotion and cognition (Pessoa 2008).…”
Section: Introduction: Why Should We Play With Art and Nature?mentioning
confidence: 99%
“…The hypothesis of a mirror system has been put forward in order to explain how our evolutionary, developmental, and experiential processes function together within a certain time span of observing, imagining and emulating (Kaag 2009). The mirror neurons, which were first found in macaque monkeys' brain area for hand control, may play a significant role in governing the coordination between our sensing and knowing, hearing and speaking, watching and performing tasks (Donald 2001;Arbib 2012).…”
mentioning
confidence: 99%
“…The system as a whole may facilitate our foreseeing of possibilities or potential developments before we decide to take action. At the starting point of observing any kind of situation in nature and culture, patterns of our neural circuits of perceiving and imagining are not very different; rather, they are almost blended and they collaborate to create perspectives for further applications (O'Connor, Aardema 2005;Gallagher 2006;Kaag 2009;Lenzi et al 2009). After taking action to explore a situation, we become more or less removed from our initial position.…”
mentioning
confidence: 99%
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