The New Grove

Sadie, Stanley

doi:10.2307/897068

Cited by 25 publications

(1 citation statement)

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“…"Grove" would be rebuilt completely and its general aim would be "to make the diction ary as useful as possible to the widest number of readers and as consistent as possible within itself." 22 In regard to the first point, it was felt that "Grove's" status as "everyman's" music dictionary should not be abandoned, though the new edition would be made more useful for music scholars. In this respect "Grove" benefited from scholars' evaluations of MGG.…”

Section: New Grovementioning

confidence: 99%

Grove's Dictionary of Music and Musicians: From George Grove to the “New Grove”

Daub

1982

Reference Services Review

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If you would like to write for this, or any other Emerald publication, then please use our Emerald for Authors service information about how to choose which publication to write for and submission guidelines are available for all. Please visit www.emeraldinsight.com/authors for more information. About Emerald www.emeraldinsight.comEmerald is a global publisher linking research and practice to the benefit of society. The company manages a portfolio of more than 290 journals and over 2,350 books and book series volumes, as well as providing an extensive range of online products and additional customer resources and services.Emerald is both COUNTER 4 and TRANSFER compliant. The organization is a partner of the Committee on Publication Ethics (COPE) and also works with Portico and the LOCKSS initiative for digital archive preservation.

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Section: New Grovementioning

confidence: 99%

Grove's Dictionary of Music and Musicians: From George Grove to the “New Grove”

Daub

1982

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The labour of Constanze Mozart — a musical occasion?

Lammes¹,

Mourik²

1990

European Journal of Obstetrics & Gynecology and Reproductiv

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Meyerbeer and Mercadante? The reception of Meyerbeer in Italy

Wittmann¹

1993

OPR

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‘First performed in 1840 and praised by Liszt for its orchestration and workman-ship, the score does not deny Meyerbeerian influence. The present recording, which sounds as if it has been taken from a live performance in the theatre, has a first-class cast and is altogether fascinating.’ The object of this encomium is La vestale by the Italian composer Saverio Mercadante (1795–1870), the first commercial recording of which was issued on CD in 1989. The quotation, taken from a leading record magazine, seems representative of the response that recordings of Mercadante's works can currently expect: scarcely a single review fails to mention Meyerbeer's positive influence on Mercadante. But how far is one in fact justified in linking these two composers?

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The New Grove

Cited by 25 publications

References 0 publications

Grove's Dictionary of Music and Musicians: From George Grove to the “New Grove”

Grove's Dictionary of Music and Musicians: From George Grove to the “New Grove”

The labour of Constanze Mozart — a musical occasion?

Meyerbeer and Mercadante? The reception of Meyerbeer in Italy

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