The Path to the New Note

Ballance, Joshua

doi:10.1145/3469013.3469021

8th International Conference on Digital Libraries for Musicology 2021

DOI: 10.1145/3469013.3469021

|View full text |Cite

The Path to the New Note

Joshua Ballance

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...

Citation Types

Supporting

Mentioning

Contrasting

Year Published

2021

Publication Types

Select...

Article1

Relationship

Self Cite0

Independent1

Authors

Journals

Cited by 1 publication

References 11 publications

Supporting

Mentioning

Contrasting

Order By: Relevance

An Analysis On “Klavierstück, im Tempo eines Menuetts (1925)” by Anton Webern

Açıkgöz

2021

İnönü Üniversitesi Kültür Ve Sanat Dergisi

View full text Add to dashboard Cite

Contemporary music, which has been evaluated with controversial expressions in recent years, has begun to take part in field studies with the movements, techniques used and the efforts of composers in certain periods to search for the new. However, the evaluation of composers in any period is actually known as a phenomenon that many composers do not accept. Composers have developed and applied many theories and systems from the middle ages to the present, and periods have been opened and closed with these applications. However, these developments were never considered as an innovation by composers to close the period. Composers sought the new and different in every period, and the systems they developed were accepted and implemented by the communities, which therefore gave rise to the terms such as flows, periods, etc... With the view that each movement or each period is formed by the criticism or development of the previous one; "Twelve Tone System", which is one of the most important of these developments in music periods, is explained in detail in the study. Not only has this developed system received great reactions but it has also been accepted by large communities. In order to better recognize this accepted system in the light of these discussions, the twelve tone system created by Josef Matthias Hauer, developed by Arnold Schoenberg and brought to the present day by Anton Webern is explained with examples. At the same time, a perspective on the system and analysis method is provided by examining one of Anton Webern's first essays, "Klavierstück, im Tempo eines Menuetts (1925)".

show abstract

An Analysis On “Klavierstück, im Tempo eines Menuetts (1925)” by Anton Webern

Açıkgöz

2021

İnönü Üniversitesi Kültür Ve Sanat Dergisi

View full text Add to dashboard Cite

show abstract

scite is a Brooklyn-based organization that helps researchers better discover and understand research articles through Smart Citations–citations that display the context of the citation and describe whether the article provides supporting or contrasting evidence. scite is used by students and researchers from around the world and is funded in part by the National Science Foundation and the National Institute on Drug Abuse of the National Institutes of Health.

Contact Info

customersupport@researchsolutions.com

10624 S. Eastern Ave., Ste. A-614

Henderson, NV 89052, USA

This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.

Blog Terms and Conditions API Terms Privacy Policy Contact Cookie Preferences Do Not Sell or Share My Personal Information

Made with 💙 for researchers

Part of the Research Solutions Family.

The Path to the New Note

Cited by 1 publication

References 11 publications

An Analysis On “Klavierstück, im Tempo eines Menuetts (1925)” by Anton Webern

An Analysis On “Klavierstück, im Tempo eines Menuetts (1925)” by Anton Webern

Contact Info

Product

Resources

About