“…Instead, the recognition of these emotion expressions can rely on the sole presence of basic motion and form features essential to the recognition of emotion, which are extracted at the highest levels of abstraction in perception (Aronoff, 2006;Lundqvist & Öhman, 2004;Pavlova et al, 2005). Additionally, a large body of experimental research exists on emotion attribution to simple abstract geometrical shapes, based on such essential affective features (Aronoff, 2006;Aronoff et al, 1992;Collier, 1996;Heider & Simmel, 1944;Larson et al, 2008;Locher & Nodine, 1989;Oatley & Yuill, 1985;Pavlova et al, 2005;Rimé et al, 1985;Scholl & Tremoulet, 2000;Visch & Goudbeek, 2009). These theoretical insights motivate us to investigate the possibilities of emotion expression independent of the configuration of the human body and face, based on the minimal essential components of visual emotion recognition.…”