No other Browning monologue has so often been the object of image studies as “Childe Roland to the Dark Tower Came,” but most of them deal with possible allegorical meanings, with the archetypal symbolism of the quest, or with sources and analogues of Roland's journey and of the landscape. Considerably less attention is afforded equally significant matters: the structural relationships among the images and their characterizing and thematic functions. Whatever Browning's conscious or unconscious indebtedness to other sources, his imagistic method in “Childe Roland” is still primarily his own, a significant illustration of a technique characteristic of all the major monologues of Men and Women: the use of complex patterns of recurrent images as vehicles of poetic meaning. In this essay I wish to consider how character and meaning are related to the structural development of the imagery.