The Phenomenon of the Great Silk Road in the Cultural Integration Process

Abstract

Р е д а к ц и я к е ң е с і: Молдова Республикасының ҰҒА академигі Белостечник Г. (Молдова); Əзірбайжан ҰҒА академигі Велиханлы Н. (Азербайджан); Тəжікстан ҰҒА академигі Назаров Т.Н. (Тəжікстан); Молдова Республикасының ҰҒА академигі Рошка А. (Молдова); Молдова Республикасының ҰҒА академигі Руснак Г. (Молдова); Əзірбайжан ҰҒА корр. мүшесі Мурадов Ш. (Əзірбайжан); Əзірбайжан ҰҒА корр. мүшесі Сафарова З. (Əзірбайжан); э. ғ. д., проф. Василенко В.Н. (Украина); заң ғ. докт., проф. Устименко В.А. (Украина) «Қазақстан Республикасы Ұлттық ғылым академиясының Хабарлары. Қоғамдық жəне гуманитарлық ғылымдар сериясы».

Cultural Values of Great Silk Way: Past and Future

“…If we give a brief overview of such issues as cities and holy places along the Silk Road, legends about the people's memory, historical monuments to them, as well as the treasures of the Kazakh steppes by Baipakov's words, "… highlands and fertile valleys, extending from Europe to Asia and vice versa Our values along the Great Silk Road show that each other's cultures are mutually reinforcing and enriching each other in the cities of East and West, Asia and Europe. As a result of the interaction, settlers and nomadic tribes have been able to create a stunning culture of pearl in the ancient culture of humanity" [12][13].…”

Cultural Tourism – As One of the Mechanisms for the Revival of the Great Silk Road

“…The Aisha-Bibi Mausoleum in the Zhambyl Region is another especial in the world that is unique in the world, displaying the highest level of progression of building technology in Kazakhstan in the VII-VIII centuries. The Khoja Ahmet Yassawi Tomb, conceded by UNESCO, is a principal monument to the world, an encyclopedia of architectural explication of the East [9,12]. In 2004, at the capability of the leader of Nursultan Abishevich Nazarbayev, the "Cultural Heritage" State program was developed and received, one of its most important consideration was the restoration, protection and museification of historical and cultural monuments.…”

Ethnic Consciousness and Reinterpretation of Heritage of the Kazakh Musical Culture in 1970-1990-Ies

“…Representing Kazakh culture on the world stage in the 1980-1990s naturally formed two vectors of this opposition: "Kazakhs -the eastern world", "Kazakhs -the western world". Within the framework of the first, the musical heritage of Kazakhstan is recognized, first of all, as part of the nomadic culture of Eurasia (along with such cultures as the Kyrgyz, Karakalpak, Turkmen, Tuva, Khakass, Mongolian and others), as well as part of the Turkic world (akin to the Uighur, Uzbek, Azerbaijani, Turkish -see an example of a study [23]).…”