Milton and Heresy 1998
DOI: 10.1017/cbo9780511549335.011
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The politics of performance in the inner theater: Samson Agonistes as closet drama

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Cited by 12 publications
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“…Elizabeth Sauer observed that "To problematize Samson Agonistes is to oppose the strong tendency in Milton studies to resist textual indeterminacy and difference." 84 Stephen Dobranski and John Rumrich, in their introduction to Heretical Milton, state that the essays they offer "react against the limitations and occasional errors of the present orthodoxy." 85 Neil Forsythe begins The Satanic Epic by declaring: "Paradise Lost is not an orthodox poem and it needs to be rescued from its orthodox critics.…”
Section: Paradigms Found or The New Milton Criticismmentioning
confidence: 99%
“…Elizabeth Sauer observed that "To problematize Samson Agonistes is to oppose the strong tendency in Milton studies to resist textual indeterminacy and difference." 84 Stephen Dobranski and John Rumrich, in their introduction to Heretical Milton, state that the essays they offer "react against the limitations and occasional errors of the present orthodoxy." 85 Neil Forsythe begins The Satanic Epic by declaring: "Paradise Lost is not an orthodox poem and it needs to be rescued from its orthodox critics.…”
Section: Paradigms Found or The New Milton Criticismmentioning
confidence: 99%