The Post-dramatic Indigenous Communication in Latin America (Ecuador, Peru, Bolivia, Colombia) and Its Comparison with That of Europe and Spain. The Case of Some Latin American/Spanish and European Playwrights, and the Differences Between Both Dramatic Worldviews

This article aims to study the main patterns of contemporaneity in the field of stage writing, especially in Europe. Particular reference is made to the problem and function of the text in the age of the image and other issues of special relevance. These notes or stage patterns are compared with those of the most publicized current texts of cinema in Spain, giving rise to the debate on the adequacy of these cinematographic texts to the signs of contemporaneity. The aim of this study is to find out whether the mentioned film texts follow the current guidelines of European contemporary stage writing.

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Twenty-first century tendencies: stage writing in europe vs. Film scriptwriting in Spain

Orosa

Galarza-Ligña

2022

revHUMAN

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The Post-dramatic Indigenous Communication in Latin America (Ecuador, Peru, Bolivia, Colombia) and Its Comparison with That of Europe and Spain. The Case of Some Latin American/Spanish and European Playwrights, and the Differences Between Both Dramatic Worldviews

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Twenty-first century tendencies: stage writing in europe vs. Film scriptwriting in Spain

Twenty-first century tendencies: stage writing in europe vs. Film scriptwriting in Spain

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