2008
DOI: 10.1080/15213260701837073
|View full text |Cite
|
Sign up to set email alerts
|

The Privileged Role of the Late-Night Joke: Exploring Humor's Role in Disrupting Argument Scrutiny

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
2
1

Citation Types

5
122
0

Year Published

2009
2009
2024
2024

Publication Types

Select...
3
3
1

Relationship

0
7

Authors

Journals

citations
Cited by 160 publications
(127 citation statements)
references
References 72 publications
5
122
0
Order By: Relevance
“…knowledge (e.g., Young 2008). Such findings are consistent with political entertainment research, which demonstrate the influence of prime-time television on individual-level political perceptions, attitudes, opinions, and behaviors (e.g., Delli Carpini and Williams 1994;Holbrook and Hill 2005).…”
supporting
confidence: 76%
See 3 more Smart Citations
“…knowledge (e.g., Young 2008). Such findings are consistent with political entertainment research, which demonstrate the influence of prime-time television on individual-level political perceptions, attitudes, opinions, and behaviors (e.g., Delli Carpini and Williams 1994;Holbrook and Hill 2005).…”
supporting
confidence: 76%
“…Young (2006Young ( , 2008 found that the satire used in late-night political comedy was an ambiguous form of comedy that required audiences to apply cognitive effort in processing the jokes. Baym (2005) offered a qualitative understanding of how people negotiate this ambiguity arguing that The Daily Show host Jon Stewart provides context for viewers as he interjects commentary during segments, moves in and out of character, and even laughs at himself.…”
Section: Satire As Ambiguous Political Messagesmentioning
confidence: 99%
See 2 more Smart Citations
“…Late-night comedy studies have demonstrated significant effects ranging from primacy and recency (Holbert et al, 2007) to acquisition of political knowledge (Young, 2008) Since the early 1990s the TV satire genre has experienced an intensive development. In close interplay with the Internet the genre has become a means in an increasingly focused target group orientation undertaken by Danish public service TV entertainment (Bruun 2005a).…”
Section: IVmentioning
confidence: 99%