The Quality of Interior Space in the Islamic Style

Abstract

The interior design of the Islamic style in traditional cites included tangible and intangible influences, which organized the interior space according to the needs of the users and following the rules of Islam as a religion and cultural values. The quality of the interior space referred to the three points, the Rules, Elements, and Factors. However, the designers face difficulties in designing an interior space within the Islamic style. The studies in the Islamic interior design show the elements and components of the style, but few of these studies analyze in depth the quality of this style, especially, heritage houses. The research question of the current study is “What are the original components, rules, and factors that reflect the quality of the interior design of the Islamic style”. The aim of the study is to identify these components, rules, and factors as a guideline. The study used a mixed methodology; the qualitative mode used the in-depth interview with experts selected by purposeful sampling technique. While the quantitative mode used a checklist to observe the visual analysis of the interior space of the selected buildings. The selected building was chosen under special criteria depending on the heritage value and availability of information. The results showed that the quality of interior design reflected by the level of the details of the interior elements. However, 72% of the samples reflected the originality of the design. The quality of interior space in traditional and heritage houses in old Mosul City related to the details of the interior elements, such as materials.

Upcycling Fabric Waste for Home Decoration by Implementing Islamic Art Approach

“…The inspiration of an Islamic style is influenced by religious and cultural values, represented in various building types such as Masjid. This Style started during the lifetime of Prophet Muhammad Sallallahu Alayhi Wasallam [14]. It was mentioned earlier that the Islamic Style applies a floral motif, geometrical pattern, and calligraphy.…”

“…Previous research about fabric waste management has already been conducted by [3], [6], [8], [10]- [13] by maximizing fabric waste to become a more valuable product. Moreover, the theory of Islamic Art and implementation has been researched by [14] and [15]. An explanation of Islamic geometrical patterns has already been written by (Abullahi & Embi, 2013; Dabbour, 2012;Pramono, 2012).…”