2006
DOI: 10.3366/jbctv.2006.3.1.107
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The Quality of Intimacy: Revelation and Disguise in the Dramatic Monologue

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“…In this context, an aesthetic of performance necessarily centres on the point of reception rather than enactment, drawing on those elements of genre, narrative address, characterisation and iconography by which enactment is mediated. (1998,155) (2002) on acting processes in the context of British television production in comparison with stage practices; Turnbull (2005) on moments of performance in Buffy the Vampire Slayer (The WB/ UPN, 1997UPN, -2003; Mills (2005, 67-99) on performance as a crucial aspect of sitcom; Ytreberg (2006) on the "premeditation" of performances in live, seemingly unscripted programming; Goode (2006) on the expression of intimacy in television monologues; Becker (2009) on actor processes and techniques in the context of multi-camera sitcom production; and Ellis (2009), who develops a history of stylistic presentation around changing norms in the performance of emotion across both fiction and non-fiction television. A notable contribution during this period is Christine Cornea's edited collection Genre and Performance in Film and Television (2010).…”
Section: Writing About Performance In Serial Dramamentioning
confidence: 99%
“…In this context, an aesthetic of performance necessarily centres on the point of reception rather than enactment, drawing on those elements of genre, narrative address, characterisation and iconography by which enactment is mediated. (1998,155) (2002) on acting processes in the context of British television production in comparison with stage practices; Turnbull (2005) on moments of performance in Buffy the Vampire Slayer (The WB/ UPN, 1997UPN, -2003; Mills (2005, 67-99) on performance as a crucial aspect of sitcom; Ytreberg (2006) on the "premeditation" of performances in live, seemingly unscripted programming; Goode (2006) on the expression of intimacy in television monologues; Becker (2009) on actor processes and techniques in the context of multi-camera sitcom production; and Ellis (2009), who develops a history of stylistic presentation around changing norms in the performance of emotion across both fiction and non-fiction television. A notable contribution during this period is Christine Cornea's edited collection Genre and Performance in Film and Television (2010).…”
Section: Writing About Performance In Serial Dramamentioning
confidence: 99%