2004
DOI: 10.1353/asr.2004.0011
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The Quest for National Identity and Visual Sovereignty in Trinidad and Tobago Television Advertising

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Cited by 2 publications
(2 citation statements)
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“…And perhaps it is the dance's safe handling of this partnership courtship that makes it such a popular item. Like a local Guardian Insurance television commercial also featuring Rudder's song, these national unity dances do the work of selling an idealized hybrid national identity grounded in a carefully choreographed cultural politics that allows for encounter and even mixture (McFarlane-Alvarez, 2004). While the dance disputes narratives of purity, it does so within the permissible limits of this historical moment invoking a multicultural politics that is safe rather than threatening.…”
Section: Negotiating the Folk In Trinidadian Performancementioning
confidence: 99%
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“…And perhaps it is the dance's safe handling of this partnership courtship that makes it such a popular item. Like a local Guardian Insurance television commercial also featuring Rudder's song, these national unity dances do the work of selling an idealized hybrid national identity grounded in a carefully choreographed cultural politics that allows for encounter and even mixture (McFarlane-Alvarez, 2004). While the dance disputes narratives of purity, it does so within the permissible limits of this historical moment invoking a multicultural politics that is safe rather than threatening.…”
Section: Negotiating the Folk In Trinidadian Performancementioning
confidence: 99%
“…[10] For more on Caribbean self-imaging through media, see McFarlane-Alvarez (2004) and Warner (2000).…”
Section: Mcnealmentioning
confidence: 99%