2021
DOI: 10.1016/j.ccs.2021.100372
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The rise and fall of the rural creative class: The case of Alaçatı

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Cited by 7 publications
(8 citation statements)
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“…Events are animators of destination attractiveness and marketing propositions in promoting places in the face of increasing global competition to attract visitor spending (Getz & Page, 2016). Creative tourism increases the competitiveness and attractiveness of destinations (Ince Keller & Velibeyoğlu, 2021); therefore, attracting the creative class as visitors contributes to the creative atmosphere of the destination, increasing its creative production and attractiveness to tourism (Richards & Marques, 2012). Developing creative tourism based on local cultural experiences is necessary, as culture is the most important factor in a destination's attractiveness (OECD, 2008).…”
Section: Discussionmentioning
confidence: 99%
“…Events are animators of destination attractiveness and marketing propositions in promoting places in the face of increasing global competition to attract visitor spending (Getz & Page, 2016). Creative tourism increases the competitiveness and attractiveness of destinations (Ince Keller & Velibeyoğlu, 2021); therefore, attracting the creative class as visitors contributes to the creative atmosphere of the destination, increasing its creative production and attractiveness to tourism (Richards & Marques, 2012). Developing creative tourism based on local cultural experiences is necessary, as culture is the most important factor in a destination's attractiveness (OECD, 2008).…”
Section: Discussionmentioning
confidence: 99%
“…From the point of view of tourism, one of the main challenges is to control the increase of creative tourism development and the vulnerability of local culture [55]. Equally, the risk of the commodification of everyday life, gentrification, the displacement of communities, passive consumption, and overcrowding need to be addressed [9]. Due to the characteristics of creative tourism and its unique features, difficult to be adapted to other places, it is rather unlikely that this might happen; unfortunately, careless planning and a lack of control can produce undesirable results [9].…”
Section: Discussionmentioning
confidence: 99%
“…Additionally, although small cities normally lack the grandeur of larger ones, they have unique heritage and traditions-both tangible and intangible-that can be enhanced with a compelling story in a context of authenticity and absence of overcrowding. In turn, creative tourism benefits the sustainable growth of small cities, protecting their eco-friendly quality of life [9]. The potential of small cities should be especially considered in Europe, as approximately 60% of the population live in small (40% in the range 10,000-50,000) or medium-sized urban areas (20% in the range 50,000-250,000).…”
Section: Introductionmentioning
confidence: 99%
“…The fusion of creativity and production and of creativity and consumption has led to the fusion of creativity and tourism. This was the first major move [27,28]. Then, creativity and tourism have come together, gradually becoming foundational for people's daily life; with the increasing role of popular culture, new media and the internet, the role of "everyday creativity" has also become increasingly important [29][30][31].…”
Section: Cultural Creativity and Creative Tourismmentioning
confidence: 99%