2017
DOI: 10.1007/978-3-319-58753-0_89
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The Rise and Proliferation of Live-Streaming in China: Insights and Lessons

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Cited by 17 publications
(18 citation statements)
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“…Viewers not only can interact with the streamer in real-time but they may also interact with other viewers easily with the help of IT features such as instant messaging. Being in the digital crowd, each viewer is no longer a lonely audience but is able to interact with other viewers in real-time (Lin & Lu, 2017). The psychological closeness with other audience may promote a contagion of emotions as the audience jointly participate in the session and can observe how others react to the performance (Bennett, 1990).…”
Section: Live Streaming In Chinamentioning
confidence: 99%
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“…Viewers not only can interact with the streamer in real-time but they may also interact with other viewers easily with the help of IT features such as instant messaging. Being in the digital crowd, each viewer is no longer a lonely audience but is able to interact with other viewers in real-time (Lin & Lu, 2017). The psychological closeness with other audience may promote a contagion of emotions as the audience jointly participate in the session and can observe how others react to the performance (Bennett, 1990).…”
Section: Live Streaming In Chinamentioning
confidence: 99%
“…Given the highly social culture of China, viewers' experiences and behaviours are closely related to their perceptions of their social engagement in the live stream session (C. C. Chen & Lin, 2018;Lin & Lu, 2017;X. Zhang et al, 2019;J.…”
mentioning
confidence: 99%
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“…Participants were university students (selected from different universities) as the main users of live streaming are from the younger generation. According to recent reports and news, around 70 percent of live streaming users were under 30 years old and university students played a dominant role in the growth of live streaming industry (Larson, 2017; Lin and Lu, 2017). The interview participants of this study had rich experience of watching and/or consumption experience in different types of live streaming.…”
Section: Qualitative Explorationmentioning
confidence: 99%
“…Viewers also appreciated the live and unedited nature of these performances, and enjoyed the interactions with the performer and other viewers, e.g., asking the streamer to sing a specific song and getting a response in real time, or listening to the stories related to the songs and commenting on them. The improvisational nature of such streams has resulted in a new form of improvisational music, Han Mai (a form of rapping) [17]. "He once rewarded some of his fans by writing lyrics of a Han Mai with stories of his fans and performing it, which moved a lot of his fans" (S127).…”
Section: Performancementioning
confidence: 99%