2018
DOI: 10.1080/00291951.2018.1498122
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The role of cultural and creative services in the evaluation of the world urban system

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Cited by 4 publications
(2 citation statements)
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“…The emerging concept of "new economy", or "knowledge economy" [64], which is gradually informing our times, assigns an utmost value to cultural capital and experience. A framework allowing relying on a reference conceptual map to identify points of strengths and criticalities in urban cultural systems is still missing; indeed, a recent study by Díez-Pisonero et al [65] aimed at the definition of a Synthetic Index of Cultural Components, but literature on the topic is very limited by now. However, if cities aim at maintaining highly competitive levels, they will have to devote specific attention, in planning activities, to their own cultural system and to the way it operates within the whole urban one.…”
Section: Challenges To Museums: Ict Languages and Beyondmentioning
confidence: 99%
“…The emerging concept of "new economy", or "knowledge economy" [64], which is gradually informing our times, assigns an utmost value to cultural capital and experience. A framework allowing relying on a reference conceptual map to identify points of strengths and criticalities in urban cultural systems is still missing; indeed, a recent study by Díez-Pisonero et al [65] aimed at the definition of a Synthetic Index of Cultural Components, but literature on the topic is very limited by now. However, if cities aim at maintaining highly competitive levels, they will have to devote specific attention, in planning activities, to their own cultural system and to the way it operates within the whole urban one.…”
Section: Challenges To Museums: Ict Languages and Beyondmentioning
confidence: 99%
“…While many CI products are readily disseminated across the world through extended channels of consumption, specific elements of CI consumption and much of CI production is disproportionally clustered in a limited number of major metropolitan areas (Lorenzen et al., 2008; Pratt, 2012; A. J. Scott, 2004). For example, when looking at the ‘global art centre index’ developed by Caset and Derudder (2017) (for alternatives, see Díez‐Pisonero et al., 2018; Skórska & Kloosterman, 2012) 1 , which ranks cities in terms of their global centrality in field‐configuring cultural events such as festivals, biennials and fairs, it can be noted that many of the leading metropolitan areas are the household names appearing atop world city rankings such as the one put together by the Globalisation and World Cities research network (see Table 1; Derudder & Taylor, 2018). Both rankings obviously present specific and narrow takes on ‘culture’ and ‘business networks’ alike, but it is nonetheless clear that cities such as New York, London, Tokyo, Beijing, Paris, Shanghai and Los Angeles are globally central in both of these.…”
Section: Introductionmentioning
confidence: 99%